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Spotify Picks A Fight With Apple in the EU

Spotify takes aim at Apple in the EU, accusing the Cupertino tech company of anti-competitive practices in the App Store

Spotify-580x358.jpg

Spotify filed a legal complaint with the European Commission against Apple, its main competitor in the music streaming space, by claiming that the Cupertino tech giant follows anti-competitive practices. Specifically, Spotify argued that Apple is paid too much in the App Store from developer apps, does not provide enough information on customers to vendors and has restricted third-party access to Apple’s native technologies such as the Apple Watch, Siri and HomePod. Spotify' claims that Apple’s restrictions to its own native technology and information in the App Store make it harder for Spotify to compete.

Daniel Ek, Spotify founder, took direct aim at Apple, complaining on his company’s blog, stating that Apple’s position as owner of iOS platform and the App Store gives Apple “an unfair advantage at every turn” and asked for help from the EU. Ek compared Apple’s 30 percent fee of App Store purchases via its in-app purchase system (IAP) to a “tax” and complained that it forced his company to lower their pricing to be competitive, which was not affordable for them. His grievance list included complaints about Apple’s payment system and being unable to access Apple’s native technologies such as Siri, HomePod and Apple Watch. Ek said it was unfair that Apple restricts how much access developers have to customer information. Ek’s demand list included payment to Spotify directly through the App Store, bypassing Apple’s standard fee and more access to customer information to market directly to them.

Spotify currently maintains a lead over Apple Music in terms of subscribers, coming in at 87 million compared to Apple’s 56 million (both figures were previously reported publicly by both companies). To be competitive, Spotify has expanded into the podcast space, buying up two podcasting companies, Gimlet Media and Anchor for record fees earlier this year. Spotify also recently partnered up with Hulu to offer a new subscription model.

Spotify Struggles to be Profitable

Despite launching in 2008 a year after the launch of the iPhone, Spotify has not been profitable until this year. The company joined a list of tech companies that were unprofitable at the time of their IPOS. In February 2018, when Spotify went public on the New York Stock Exchange with the SPOT ticker, the company’s shares launched at a price tag of $165.90 apiece, giving the company a $23.5 billion valuation. At the time of its IPO filing, Spotify had a net loss of $1.5 billion for 2017, even though it generated $5 billion in revenue and had acquired 160 million active users.

In a financial statement and announcement to shareholders on February 6, 2019, Spotify shared that the company was profitable for the first time in the last quarter of 2018. The music-streaming giant made an operating profit of €94 million (approximately $107 million). Despite the good news, the profits may not last. Spotify forecasts a loss of €50- €100 million (about $57 to $113 million) next quarter and €200-€360 million (about $227-$409 million) over the full year.

In Spotify’s complaint, General Counsel Horacio Gutierrez said that the company needed marketing promotions to convert free customers to premium (paying subscribers) and that Apple’s system prevented Spotify from gaining enough information about customers.

Apple’s Response

Today, a day after Spotify’s announcement of its antitrust complaint, Apple responded in detail. Apple pointed out that Spotify "wraps its financial motivations in misleading rhetoric" and wants to "keep all the benefits of the App Store ecosystem, including the substantial revenue that they draw from the App Store’s customers, without making any contributions to that marketplace."

“After using the App Store for years to dramatically grow their business, Spotify seeks to keep all the benefits of the App Store ecosystem — including the substantial revenue that they draw from the App Store’s customers — without making any contributions to that marketplace. At the same time, they distribute the music you love while making ever-smaller contributions to the artists, musicians and songwriters who create it — even going so far as to take these creators to court.”
— Apple

Apple categorically rejected Spotify’s claim that Apple had blocked the company from updating its apps. In a detailed press release, Apple shared how it had supported Spotify’s new apps, including addition of Spotify to CarPlay and its Apple Watch app, which is the “No. 1 app in the Watch Music category.” Apple said the company is free apps for the App Store and compete directly with Apple.

“We’ve approved and distributed nearly 200 app updates on Spotify’s behalf, resulting in over 300 million downloaded copies of the Spotify app. ”

Apple refuted Spotify’s claim that Apple charged all developers too much, saying that 84 percent of the apps in the App Store pay nothing to Apple when you download or use the app.

“Spotify wants all the benefits of a free app without being free.”
— Apple

Addressing Spotify’s complaints that Uber and Deliveroo do not pay fees and Spotify is charged “unfairly,” Apple then went on to explain how the App Store model works:

Apps that are free to you aren’t charged by Apple.

  • Apps that earn revenue exclusively through advertising — like some of your favorite free games — aren’t charged by Apple.

  • App business transactions where users sign up or purchase digital goods outside the app aren’t charged by Apple.

  • Apps that sell physical goods — including ride-hailing and food delivery services, to name a few — aren’t charged by Apple.

The only contribution that Apple requires is for digital goods and services that are purchased inside the app using our secure in-app purchase system. As Spotify points out, that revenue share is 30 percent for the first year of an annual subscription — but they left out that it drops to 15 percent in the years after.

That’s not the only information Spotify left out about how their business works:

  • The majority of customers use their free, ad-supported product, which makes no contribution to the App Store.

  • A significant portion of Spotify’s customers come through partnerships with mobile carriers. This generates no App Store contribution, but requires Spotify to pay a similar distribution fee to retailers and carriers.

  • Even now, only a tiny fraction of their subscriptions fall under Apple’s revenue-sharing model. Spotify is asking for that number to be zero.

Apple ended its response by pointing out that the two companies shared a love of music, but that their approaches were significantly different.

“We share Spotify’s love of music and their vision of sharing it with the world. Where we differ is how you achieve that goal. Underneath the rhetoric, Spotify’s aim is to make more money off others’ work. And it’s not just the App Store that they’re trying to squeeze — it’s also artists, musicians and songwriters.”
— Apple

Apple pointed out how Spotify sued music creators after the US Copyright Royalty Board required Spotify to increase its royalty payments. Spotify was recently ordered to pay $113 M in royalty payments to over 500,000 artists in a class-action lawsuit.

Apple explained how the App Store ecosystem has generated over $120 billion in revenue for App developers, launching new businesses and industries over the last 11 years. Apple built a safe and secure ecosystem with known rules.

“At its core, the App Store is a safe, secure platform where users can have faith in the apps they discover and the transactions they make. And developers, from first-time engineers to larger companies, can rest assured that everyone is playing by the same set of rules. That’s how it should be. We want more app businesses to thrive — including the ones that compete with some aspect of our business, because they drive us to be better.”
— Apple

Despite Spotify’s contentious claims, Apple ended its response amicably.

“We’re proud of the work we’ve done to help Spotify build a successful business reaching hundreds of millions of music lovers, and we wish them continued success — after all, that was the whole point of creating the App Store in the first place.”
— Apple

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tags: Apple, Spotify, EU, music
categories: Apple News
Thursday 03.14.19
Posted by Elf
 

How Can Spotify Offer a Great Podcast App? Let’s Take a Look

The streaming music giant has shared its ambitions of becoming the world’s biggest and most popular podcasting platform. Here are six suggestions.

Image via Spencer Camp at Prototypr.io

Image via Spencer Camp at Prototypr.io

Spotify recently announced its acquisition of both Gimlet Media and Anchor, boosting up its podcasting abilities significantly. The podcasting industry is expected to grow to $700 million by 2020 in the United States alone. While Spotify has declared its intention to dominate the podcasting space, there are some things the company will need to do to become a podcasting haven.

Image via Spencer Camp at Prototypr.io

Image via Spencer Camp at Prototypr.io

Separate podcasts and music

Spotify’s web app works very well, but once you go to mobile, the podcast tab currently is unwieldy. Finding your podcasts is not easy either as you have to go to your library and search in there. Spotify can benefit from clearly distinguishing between podcasts and music and making podcasts easier to discover and explore.

Image via Spencer Camp at Prototypr.io

Image via Spencer Camp at Prototypr.io

Create charts, reviews and ratings

Spotify currently offers top charts for music, but is very limited when it comes to podcasts apart from an annual best list, trending and top podcast charts. Some possible improvements include adding top charts for every show category and top podcasts, like Apple does. Other possible features include allowing people to rate shows and leave reviews.

Image via Spencer Camp at Prototypr.io

Image via Spencer Camp at Prototypr.io

Offer personalized playlists

Spotify made discovering personalized music easy and fun with its weekly playlists through Discover Weekly. Creating something similar with podcasts could help users find new podcasts. Often listeners find about podcast shows through friends, but having a direct, personal way to discover music would be appealing. NPR One app already offers this feature with personalized playlists based on a person’s listening habits.

Offer monetization options

Prior to its acquisition by Spotify, Anchor had announced a sponsorship feature where any podcaster could request a sponsorship. This allows a podcast creator to earn some money, while Anchor took a 30 percent fee. Podcasters usually have to partner with a larger podcast network to receive any ads or work very hard to even be noticed.

Provide private feeds

Private feeds enable individuals and companies to build and release internal podcast shows. Currently, Spotify does not offer this option. Apple lets you add podcasts via an RSS link.

Add call-in features like Anchor currently has

Similar to radio, Anchor offered users the opportunity to interact with their hosts. A podcast creator can field calls from listeners and even add people to conversations. When the call is completed, the podcast host can share transcribed video on social media.

By addressing the essential needs of podcast creators from content creation to distribution, monetization and interaction with listeners on one unified platform, Spotify can become a podcasting haven.


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tags: Spotify, podcasting, app, charts, reviews, discovery, Discover Weekly, apps, music, listeners, podcast
categories: Industry Insight, Apps
Monday 02.18.19
Posted by Elf
 

Spotify Buys Gimlet Media and Anchor - Two of the Largest Acquisitions in Podcast History

The Swedish audio streaming company cemented its presence in the podcasting world by its purchase of Gimlet Media, the content creators for Startup and ReplyAll podcasts, and Anchor, the production and distribution platform

Image via Spotify

Image via Spotify

Spotify’s acquisitions came as a surprise to the industry as Spotify has never bought a company focused on creating content such as Gimlet Media nor has it previously expressed interest in the podcast space. Podcasting has however been attracting increasing investment from advertisers, raking in over $314 million in 2017 in the U.S. alone. Spotify’s purchase of Gimlet Media at $230 million, the content creators behind the Startup and ReplyAll podcasts, is the largest acquisition in podcast history. Spotify’s second purchase of Anchor, the production and distribution platform for podcast creators, was for an undisclosed sum. Spotify’s announcement signals the company’s keen interest in the podcast market. Spotify has also shared that the company intends to invest up to $500 million this year alone in the podcasting space.

Spotify has dominated the audio streaming industry, reporting 96 million subscribers and posting its first profit this past quarter of $107 million (€94 million), less than one year after the Stockholm-based company launched its IPO on the NYSE on April 3, 2018.

“For the first time in company history, operating income, net income, and free cash flow were all positive.”
— Spotify, Q4 Shareholder Letter

Spotify has been the industry giant for a long time in terms of subscriber loyalty, although Apple Music has been playing catch up. Apple announced that it had reached 56 million subscribers this past November. Apple has been closing the gap, though Spotify still dominates the market comfortably with a 40 million lead. Nonetheless, the Cupertino giant has three advantages - offering bundling options, thus achieving a conversion rate of 0.64% (as compared to Spotify’s stable 0.24%), paying artists a higher percentage than Spotify and not needing streaming to be profitable.

The two companies have also vastly different approaches to playlists - Spotify’s playlists are driven by algorithms, while Apple’s have what CEO Tim Cook calls “the human touch.” Nonetheless, consumers, by a large majority, have preferred Spotify’s playlists.

Cook insists that playlists generated by computers are lacking. In an interview with Fast Company, Cook explained that a streaming music platform has the potential to offer a sublime music experience.

“Music inspires, it motivates. It’s also the thing at night that helps quiet me.  I think it’s better than any medicine.”
— Tim Cook, Apple CEO

In an interview last year with Fast Company, Spotify’s CEO Daniel Ek said that he was confident that the company’s computer-generated playlists, which he calls the company’s “key differentiator” will “defy all the skeptics” in the long run.

“Music is everything we do all day, all night, and that clarity is the difference between the average and the really, really good.”
— Daniel Ek, Spotify CEO

Arguably, Spotify has already won with this strategy, given the popularity of the platform’s playlists. Even its most vocal critics such as Taylor Swift and Jay-Z have returned to Spotify and uploaded their music once again to its platform.

Why Podcasts?

The word “podcast” is literally derived from the iPod. Apple redesigned the Podcasts app and offered more in-depth analytics in 2017. Spotify did not actually consider podcasts a good investment initially given the “poor user experience” as Chief R&D Officer Gustav Söderström said in an interview with TechCrunch.

“The user experience was really poor. There was no 15-second skip. In spite of that, we saw a lot of users listening to podcasts. It was kind of unexpected, and we didn’t really understand why. It turned out people really wanted to have podcasts in Spotify with their music. If you look at radio, it’s not that surprising.”
— Gustav Söderström, Spotify's Chief R&D Officer

However, podcasting’s striking similarity to radio makes it compelling for the company. Spotify CEO Daniel Ek recognized this.

“...people still spend over two hours a day listening to radio—and we want to bring that radio listening to Spotify, where we can deepen engagement and create value in new ways.”
— Daniel Ek, Spotify CEO

Spotify aims to create an avenue where consumers can discover new audio and play it. This includes popular podcasts such as the ones created by Gimlet Media and also producing its own original content using Anchor. Thus Spotify would offer a mix of radio and Netflix-like original content. Now if Spotify can successfully achieve this, the company would become the de facto platform for consumers to discover and produce original audio, thereby attracting and retaining both listeners and creators.

Gimlet Media is a podcast studio with $28.5 million funding, based in New York that is known for its original podcasts such as “Homecoming,” which has now been adapted from a podcast to video for Amazon Prime and for “Reply All” about Internet culture.. Anchor is a podcasting startup that helps anyone record their audio on the go and distribute that audio right from an app on their smartphone or tablet. Anchor raised $15 million in funding, of which $10 million came from GV, Alphabet’s investment branch. After a redesign of their platform last year, Anchor has enabled podcasters to distribute their recordings straight to Spotify, along with other streaming services. Apparently, Anchor has enabled the production of 15 billion hours of content listening on Spotify just in the fourth quarter of 2018 alone.

Spotify’s two large acquisitions - original podcasts and assisting podcasters in creating and launching their podcasts, signal the company’s strong interest in the podcasting world. The ‘Netflix’ model of creating and locking down original content would help in the company’s bottom line instead of having to negotiate royalties and deals with labels. Gimlet Media brings Spotify talent, technology and proven popular podcast models for original content, while Anchor provides hosting and monetization methods. Spotify’s CEO Daniel Elk shared his company’s goals in a press release.

“These acquisitions will meaningfully accelerate our path to becoming the world’s leading audio platform, give users around the world access to the best podcast content, and improve the quality of our listening experience, as well as enhance the Spotify brand.”
— Daniel Ek, Spotify CEO

In 2018, an Edison Research Infinite Dial report on podcast listening trends shared that 26 percent of people in the U.S. listen to at least one podcast each month and that listeners tune into seven podcasts a week on average. Spotify’s CEO Daniel Ek shared in the public announcement of the two acquisitions, that his company would apply “better discovery, data, and monetization to creators.”

“These companies are best-in-class and together we will offer differentiated and original content. Gimlet and Anchor will position us to become the leading platform for podcast creators around the world and the leading producer of podcasts.”
— Daniel Ek, Spotify CEO


Spotify is clear on its ambitions to be the world’s largest and most popular audio streaming company for both music and non-music audiences. The company intends to spend up to $500 million for similar acquisitions in 2019, as shared in its Q4 shareholder letter.

“Based on radio industry data, we believe it is a safe assumption that, over time, more than 20 percent of all Spotify listening will be non-music content.”
— Daniel Ek, Spotify CEO

Podcasting Attracts Strong Investments

Podcasting has been attracting strong investments in recent years. Betaworks Ventures, an early venture capital firm, invested in both Gimlet Media in 2014 and Anchor in 2015. Betaworks Ventures partner Matt Hartman explained in a blog post why he considered podcasting a lucrative investment.

“We saw early data around podcasts having a bit of a resurgence before Serial  (a popular podcast) launched. That data, combined with the increasing battery life of iPhones and an increasing amount of connected cars on the road, led us to think there was an opportunity for internet-powered audio. This, combined with the quick growth of smart speakers, solidified our conviction that people would consume more and more audio content.”
— Matt Hartman, BetaWorks Ventures Partner

In 2015, Scripps media company bought Midroll Media, the digital media company in Los Angeles known for its original podcasting and ad network. Midroll also acquired Stitcher, the popular audio hosting platform. Last year in the fall, iHeartMedia purchased Stuff Media, a podcast content company. Apple reportedly was in talks to purchase iHeartMedia in December.

These acquisitions reveal that the demand for podcasting is only growing. With Spotify’s two acquisitions, the company now has a complete podcasting solution from discovery to creation, distribution and monetization. This bold move demonstrates the company’s ambition to become the world’s most popular audio platform from music to on-demand audio for listeners, podcasters and advertisers.

In its Q4 shareholder letter, Spotify revealed that it was ready to spend up to $500 million for similar podcasting M&A activity in 2019.

“Growing podcast listening on Spotify is an important strategy for driving top of funnel growth, increased user engagement, lower churn, faster revenue growth, and higher margins.

We intend to lean into this strategy in 2019, both to acquire exclusive content and to increase investment in the production of content in-house. The more successful we are, the more we’ll lean into the strategy to accelerate our growth, in which case we would update guidance accordingly.”
— Spotify, Q4 Shareholder Letter

Spotify, without a doubt, has some serious podcasting ambitions.

tags: Spotify, Gimlet Media, Anchor, Apple Music, radio, Netflix, growth, content, podcasters, music, non-music, listeners, mainstream, industry insight, audio
categories: Industry Insight
Friday 02.08.19
Posted by Elf
 
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